As the title suggests, I changed my mind quite a few times as to what sort of animal I was going to construct. I started with the orange deflated ball as my original inspiration as got started on an exciting idea of a lion fish. I was trying to wrap thin branches around the ball to act as the stripes, but the kept falling apart and I couldn't figure out how I was going to do the tale so I started over.
Idea number two was a seahorse. I really liked the corally-ness and delicacy of this seahorse and was able to start with a little more vigour. There was these really flexible branches I had found from a bush/berry sort of plant that allowed me to get the base of some of the curves. This was what it was starting to look like:
After talking with Mrs. Ferguson about my seahorse, I realized it would be better to switch to the more iconic seahorse. Although the other seahorse had it's charm, it was a little difficult to recognize what it was. So the final idea was modified to the traditional seahorse. This was my reference:
And this served as my inspiration( also being helpful to look at the seahorse as being made of objects,and what made it iconic: namely the curling tale, s-shaped body, and snout):
So I revisited the found object bin, gathered up more of the pine needles for bulk, and was a hot-gluing machine. I found a metal screw and washer that I loved as the snout and only had to modify the other seahorse structure a little bit to serve as my base. I used a twig for the shape of the head and was able to wrap it in twine for a little bit of bulk. I added some parts of a pine-cone and then went to work attaching the piece of work to a black base, as the piece was unable to stand upright by itself. It was a little difficult, and I actually ended up having to reattach some parts of the body, as the had fallen off while I was attaching the piece to the supporting pole. I added a little bit of plant life to make it seem it was actually floating in the ocean, and viola-it was done!
Reflection:
I'm so glad Maria told me that if I'm not liking my piece to change it. I was really getting in a rut with the lionfish, and as soon as I changed it I was able to get a lot of progress. Although I did have to tweak the seahorse idea, I found I liked it a lot better than where the lionfish was headed. I realized it's ok for my ideas to evolve when my original concept wasn't working out, because otherwise I would not be making my best work and would simple be settling. This probably ended up being my favorite breadth piece, and I loved the idea of using natural objects. Bonus: I didn't end up burning myself with the hot glue as much as before!
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